Difference between revisions of "The critical and creative reception of eighteenth-century British and Anglo-Irish autors in Hungary: Essays in intercultural literary exchange (Q425408)"
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Latest revision as of 09:09, 16 February 2024
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The critical and creative reception of eighteenth-century British and Anglo-Irish autors in Hungary: Essays in intercultural literary exchange
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Hartvig Gabriella
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2013
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214
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The Dean in Hungary. 11@ Hungarian Gulliveriads: Gulliver’s Travels in Faremidó, Capillária, and Kazohinia. 31@ Gulliver’s Umpteenth Voyage in Hungary: the Most Recent Sequels. 47@ Ossian in Hungary. 65@ János Batsányi’s Early Translations of the Ossianic Poems:‘The Death of Oskar’. 91@ ‘Nothing odd will do long’: The Oddity of Thomas Amory’s John Buncie in Relation to Tristram Shandy. 115@ The Beginnings of Sterne’s Reception in Hungary. 129@ Early Interpretations of Sterne’s‘learned wit’ in German Aesthetics: From ‘satura Ianx’ to ‘das umgekehrte Erhabene’. 149@ Shandean originality and humour in Ferenc Kölcsey’s “Foreword”. 159@ Silenced Writers as Successful Translators of the Anglo-Irish Novel in 1950s Hungary. 173@ Anglo-Irish Influence in Győző Határ’s Art of Writing. 193@ (Hungarian)
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mib2013Hartvig 2013
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Inquiries into English and American Studies
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